Quintessential Techniques of Effective Management Essay

Goal oriented performance, combined with productivity and employee satisfaction to achieve a positive cash flow is the key to a healthy and lucrative business in today’s world. The success of employee performance is due in large part to the management of employee time and proper training. It is the duty of a supervisor to direct the employees towards satisfactory accomplishments in these areas and orient them towards the goals of the parent organization.   In order to lead with positive results a manager must not only lead the team, but be an effective part of it. The development of work team identity, performance goals, skill development, and a satisfactory rapport between management and employees falls on the supervisor. A good supervisor will understand that management is only as effective as the partnership he or she sustains with the employees.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   There has been a great deal of time and energy devoted to the research of effective management skills in the workplace. According to Joseph Wholey, the â€Å"theory of management is being able to develop a reasonable level of agreement on agency and program goals and strategies† (Wholey, 288.) A solidly founded program will ensure both fairness and objectivity. In order to do both, and effectively manage the time and skills of employees, a supervisor must assure that performance is be both carefully measured and documented. This begins with the establishment of a performance plan, agreed upon by both the supervisor and the employee. The plan should set both short-term and long-term employee goals. The team should review these goals quarterly. One of the most effective techniques for this type of a system is a monthly scorecard kept for each employee by the supervisor. During a performance review, the manager would examine the records produced during the previous quarter and records and evaluate the employee’s performance during that quarter as well as against past quarters. This performance rating should include ratings for individual goals, team goals, and open-ended comments, as well as an overall rating. After accessing the past information and reaching an agreement on the current rating, the supervisor and the employee should work together to develop new goals with higher team and individual expectations. The implementation of priorities for the upcoming year should also be written at this time. It is during these performance reviews, and not during the normal working shifts, that supervisors are able to get important information and feedback from their employees.   There is little productive about interrupting the scheduled work in order to ask how it is progressing. In order to maintain smooth supervisor and employee relations there must be respect for the job as well as the individuals. The responsibility of a supervisor during the normal course of the working day is to encouragement the successful maintenance of the work schedule rather than to bond with the employees.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   On occasion, there will be rough patches at work that are unaccounted for during these goal-setting meetings. Supervisors must support their teams through these difficult times.   It is imperative that the supervisor understands the development stages of teams in order to aide the team in getting through the trouble spots.   Fusion Associates discusses how performance goals are tied directly to team development. Developing performance goals and standards show participants how to establish SMART-based performance standards. It is one that is Specific, Measurable, Attainable, Results-oriented, and Time-framed. The SMART approach enables team members to better understand organizational performance requirements and their own role in moving the business forward. Because SMART is a collaborative way to develop goals and standards, team members intuitively agree to the process and give their full commitment to its success. By using SMART with their team members, managers demonstrate their commitment to an open and consistent performance improvement process. (Fusion) In many cases the industry of the organization has a major effect on the way in which teams are organized, and supervision is handled. For example, in today’s telecommunication industry, sales figures drive the perception of company success. In this case, the effective supervisor must encourage employees to believe every call is a sale opportunity, rather than allow then to focus on the failed calls. An instance of this problem and solution can be found in the following case. Connect Wide is one of the leading local cable companies. The quarterly performance goals, based on sales, have been increased in regular increments without discussion with the employees. This has led to low moral amongst the employees.   The employees in turn complain that they can not sell, or up-sell, to customers who feel that the pricing is too high, or already run past due on their billing accounts. Once the problems have been defined, the management needs to implement a program to reverse the low morale and increase sales. A good supervisor would begin with designing a successful operating plan to present to the employees. This plan should include the encouragement, empowerment, and support of the employees during the change. Despite the poor beginning conditions, change is almost always considered with both reluctance and suspicion in the workplace. The implementation of changes for the betterment of both the working conditions and the sales driven goals would be well served by a mini-training course on transitional selling. Following this with a good marketing campaign should ease the burden of making hard sales for the employees. These implementations would both increase the revenue and therefore make goals easier to reach. When the individual, team, and department goals are met the supervisor is often rewarded. By passing these types of rewards down to the employees, it will sustain the motivation in the workplace. When a manager administers a plan successfully, what results is a motivated work force, which maintains productivity and reaches set goals. This type of direct intervention is often called management coaching.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Understanding the concept of management coaching and how the employee and company can all benefit is an important hallmark of a good supervisor.   One of the key components to successful coaching is observation of the employee’s performance in order to grant feedback. There two types of feedback the supervisor must be aware of, both which are valuable to employee development. The appropriate type of feedback needs to be given to the employee, depending on the developmental needs witnessed by the supervisor. Motivational feedback is the first type. This feedback focuses on positive actions which the supervisor wishes to see the employee continue.   This type of feedback most often elicits future performance gains from the employee. The other type of feedback is developmental.   Developmental feedback allows the supervisor to offer the employee ways in which to improve their performance. Clear, concise suggestions for what needs improvement must be balanced with an effort not to make the employee feel berated, especially in front of other employees.   This type of feedback is far more dependant on good communication skills. To reach the best performance standards employee coaching must be conducted with a conscientious approach to customer service.   Fleischer describes this as an   approach to retention seems like an efficient way to sustain revenue from existing customers.   But in practice, this attempt to prevent churn backfires because it creates a conflict between customers’ expectations of service and the company’s willingness to fulfill them. (Fleisher. 40) The coaching is a process does not require a great deal of time; however it is a great benefit to the company. The secret to successful coaching is to create and seize coaching opportunities, which present themselves everyday in the work place. This small investment of a supervisor’s time with his or her employees often results in large pay-backs of more motivated worker and larger profits. In conclusion, good management must be successfully implemented by a supervisor who leads his or her team towards redefined goals.   The must use encouragement, motivation, and listening skills in order to connect with their employees and help their employees connect with each other. These skills can be honed under various development paradigms. One of the most successful of these is coaching, the delivery of feedback to the employees, and listening for feedback from them in order to improve both sides. Works Cited   Human Resource Management International Digest 14.7 (2006):   ABI/INFORM Global.   ProQuest.   1 Nov. 2006 http://www.proquest.com Holiday Extras is flying high:   Found monitoring calls knock a minute off the average call, while improving quality to the customers.   Monthly staff turnover fell from 7.95 to 4.2 percent versus a year before.   Sales increase by 6 percent using transition keeping in mind each call could be a sell opportunity. Fleischer, Joe. Call Center Magazine 1 OCT. 2006: 40. ABI/INFORM Global.   ProQuest.   1Nov. 2006 http://www.proquest.com/ Don’t Just Say No — Is approach to retention seems like an efficient way to sustain revenue from existing customers.   But in practice, this attempt to prevent churn backfires because it creates a conflict between customers’ expectations of service and the company’s willingness to fulfill them. Fusion Associates.   Forging High Performance Teams.   Ã‚  Ã‚  Ã‚  Ã‚   2005 7 Nov. 2006 http://www.fusionassociates.com/index.html Developing performance goals and standards show participants how to establish SMART-based performance standards. It is one that is Specific, Measurable, Attainable, Results-oriented, and Time-framed. The SMART approach enables team members to better understand organizational performance requirements and their own role in moving the business forward. Webster, Richard .   Call Center Magazine 1 Nov. 2006: 42.   ABI/INFORM Global.   ProQuest.   1 Nov. 2006 http://www.proquest.com Beverly Stryker, Starbucks Coffee Company — Starbucks hired Stryker in 2003 to oversee and build upon a virtually non-existent quality assurance and training program.   Stryker took pains to convince her staff that the aim of the quality assurance program was not to spy on employees, but to improve customer interactions. Wholey, Joseph S.   â€Å"Performance-Based Management Responding to the Challenges.†   Ã‚  Ã‚  Ã‚  Ã‚   March 1999.   Vol. 22.   Univeristy of Southern California and U.S. General Accounting Office.   Pg. 288.   Ã‚  Ã‚  Ã‚   Theory of management is being able to develop a reasonable level of agreement on agency and program goals and strategies.

Narrative Voice in Pride and Prejudice Essay

Read the passage from Pride and Prejudice (volume 1, chapter XVII) carefully several times. Then, in an continuous essay of no more than 1,000 words, analyse the passage, discussing ways in which the narrative voice and dialogue are used. Throughout the passage, Jane Austen uses a variety of different narrative and dialogue techniques. The reader hears from three different people, an omniscient narrator, Elizabeth Bennet and Jane Bennet. Through these characters the technique of â€Å"showing† is used, which involved direct speech and â€Å"telling† where the narrator describes what is happening, what the characters are saying and how they are feeling. The â€Å"showing† technique allows the reader to see what the characters are saying to each other, so in this passage, the reader ‘sees’ the conversation between Elizabeth and Jane. â€Å"Telling† involves the use of free indirect speech and focalization, giving the reader a detailed view of the character and â€Å"telling† the reader what the character is thinking and feeling. The passage opens with the omniscient narrator introducing a discussion between Jane and Elizabeth regarding Mr. Wickham’s dealings with Mr. Darcy. Austen uses the â€Å"telling technique† to introduce this passage to give clarity to the reader as to what the discussion is about, Austen opens with â€Å"Elizabeth related to Jane the next day, what had passed between Mr. Wickham and herself†. Elizabeth has decided to share her conversation with her sister Jane the following day, which means that Elizabeth has firstly had time to digest what Wickham has told her and secondly the narrator is telling us that she is close to her sister, because she is sharing this important information with her. The narrator uses free indirect speech which allows the reader to trust Elizabeth’s account of Wickham to be true, even though the reader does not know what has been spoken between the sisters. The narrator uses Jane for focalization. Through the â€Å"telling† technique the reader is allowed to see Jane’s reaction to Elizabeth’s encounter with Wickham, Austen writes â€Å"Jane listened with astonishment and concern†. Jane is â€Å"astonished† because the reader knows she thinks so highly of Bingley and she does not believe he would be connected with Mr. Darcy if the statement was true, â€Å"she knew not how to believe that Mr. Darcy could be so unworthy of Mr. Bingley’s regard†. Jane is concerned as she is hoping for a marriage with Mr. Bingley and does not want anything to ruin her plans, the narrator informs, â€Å"it was not in her nature to question the veracity of a young man†. Jane’s character is not one which would look for bad qualities in a person and through this form of free indirect speech; Austen is able to create a tone and expression which Jane’s character would use. Jane concludes that s he wishes to keep an open mind and believes there is another explanation for what has passed stating â€Å"It is in short impossible for us to conjecture the causes or circumstances which may have alienated them†. The next part of the passage shows direct speech between Jane and Elizabeth, and the â€Å"showing† technique is used to state their difference of opinions. Jane feels there is no one to blame other than misunderstanding on both parties. Elizabeth however, uses a mocking tone in her response to Jane exclaiming â€Å"and now, my dear Jane, what have you got to say on behalf of the interested people who have probably been concerned in the business?† Elizabeth is trying to convince her sister that her point of view is the correct one, and also by referring to Jane as â€Å"my dear Jane† although she is mocking her, there is fondness and closeness for her sister and it highlights Jane’s character of seeing the good in all people and a little naivety on Jane’s character. Throughout the dialogue between Jane and Elizabeth the narrator is â€Å"showing† the reader how Elizabeth is trying to convince her sister that Wickham is being honest in his account of his dealings with Mr. Darcy. Elizabeth gets the reader to instinctively believe what Wickham has told her, without question or doubt. The reader trusts what Elizabeth is saying and the likability of the character also emphasises this. Elizabeth past accounts of events have been very shrewd if a little ironic, however the reader may guess that Elizabeth may be wrong in her prejudice towards Mr. Darcy. Although Elizabeth uses facts and names to convince Jane, Jane is still doesn’t believe the situation to be true, Jane proclaims â€Å"It’s difficult indeed†. Again the reader sees Jane’s personality as someone who does not look at anyone in a bad way through this direct speech. The narrator uses â€Å"showing† in Elizabeth’s reply of â€Å"I beg your par don – one knows exactly what to think†, meaning that Elizabeth is still convinced Wickham is being truthful and she feels very strongly about this and almost convincing herself Darcy has most defiantly done wrong. Jane’s character is used to focalize again, allowing the reader to see how she reacts to Elizabeth. The narrator then uses free indirect speech to show the reader how Jane is thinking and worrying about Mr. Bingley and how could be viewed publicly – â€Å"Jane could think with certainty on only one point, – that Mr. Bingley, if he had been imposed on, would have much to suffer†. The passage closes with the arrival of the Bingley’s, going from narrative voice to authorial comment, Austen writes â€Å"the arrival of the very persons of whom they had been speaking†. The Bingley’s give their invitation to Netherfield ball and the narrative voice changes to indirect speech reporting what the characters say. The reader learns of how the Bingley sisters treat Jane and her family through the narrative voice and showing the fondness they have for Jane, â€Å"The two ladies were delighted to see their dear friend again† however the reader sees the rest of the family are treated differently stating â€Å"To the rest of they paid little attention; avoiding Mrs. Bennet as much as possible, saying not much to Elizabeth, and nothing at all to the others†. The techniques of showing and telling which Austen uses this allows the reader to see how convinced Elizabeth is with Wickham’s story of Darcy and how she pre judges him on the basis of someone else’s story, linking to the major theme and title of the book. Wickham is now shown as a good character an Darcy as a bad character. Through the sympathy the reader has with Elizabeth the reader is able to believe Elizabeth’s judgment on both Wickham and Darcy’s character.

Architectural Textbook on How to Draw Perspective

Before going to the store, think about the character of your new bath. Are you interested in a traditional bathroom with historical references, something with fixtures and finishes that remind you of an earlier time? Or are you dreaming of something more sleek and modern? Regardless of the style of bathroom you choose, designing a tile installation requires forethought. The accompanying drawings illustrate key areas to consider when developing a tile design and show how the traditional or modern character of the room might influence tile selection and layout. As part of the planning process, I recommend making detailed drawings that show which tiles go where on both the floor and the walls. An accurate, scaled sketch of a section of wall and floor, plus any special corner conditions, makes it much easier to order, lay out, and correctly install the tile. Start by Planning the Walls There are three standard heights to consider when tiling a bathroom wall: wainscot height, shower height, and full-wall height. You may use one, two, or all three of these heights in a single bathroom, depending on the look you are trying to achieve and on your budget. Because tiled walls are more expensive than wallboard, tile often is used only where it is needed most: on the lower portion of the wall that requires water protection. This wainscot is usually between 36 in. and 42 in. tall, enough to provide a backsplash of 4 in. or so above the sink. Tile protects the walls below towel bars from wet towels, and the walls around the toilet from the spray of rambunctious kids. Tiling to wainscot height may be adequate protection around tubs without showers as most splashes occur below this line. In a shower area, however, all enclosure walls should be tiled high enough to protect the walls from water spray, at least 72 in. and preferably to the ceiling. 78 Details for a Traditional Bathroom 3-in. by 6-in. brick tiles 1-in. by 6-in. color band Fixtures are centered on tile layout. 1 Shower enclosure is tiled to at least 72 in. At least 4 in. 36 in. to 42 in. Bullnose tiles 2 Border tiles define limits of the room. 6-in. by 6-in. tiles 1. TURNING CORNERS Profiled edge tiles 2. INSIDE CORNERS A bathroom with traditional characteristics has plumbing fixtures that take their styling cues from an earlier era, generally the 1920s or 1930s. The tile should reinforce these historical references. Small wall tiles, such as 3 in. by 6 in. , 4 in. by 4 in. , and even smaller mosaics, were typical in the old days, in part because the adhesive available could not support tiles that were much larger and heavier than 6 in. q. Traditional styles often celebrate the edges where tile meets wall or where wall meets floor with a border or fancy molding profile. Borders run around the perimeter of the floor and/or walls, defining the limits of the room. Bathroom-Tile Design 79 Choose the Right Tile Tiles finished on only the front face are called field tiles. When installed, they are butted next to each other with grout filling the spaces in between. Wherever wall tile stops short of the ceiling, field tiles should not be installed on the top row because the raw, unfinished edge of the tiles will be exposed. For these locations, use tile with at least one finished edge. Typically, the finished edge is a rounded bullnose shape that makes an elegant transition from tile to wall surface. In bathrooms with traditional styling, this transitional edge frequently is celebrated with a decorative border that intro- duces a band of color, a pattern, a texture, or a special profile (see the drawings on p. 79). Borders Create a Transition Although a decorative border is a great way to handle the tile-to-wall transition, you’ll need to consider how to handle the border when the tile goes from a lower to a taller height. In a traditionally styled bath, I prefer to turn the edging and keep the border moving up, over, and down again, using mitered corners at each turn. I find that a miter creates a crisp, clean look and allows the flexi- Details for a Modern Bathroom The details in a modern room imply expansiveness and continuity. Tile frequently runs continuously from floor to ceiling or from corner to corner. Borders like those found in a traditional bath are seldom used because they would feel constrictive. Luxurious materials, such as stone, are treated simply so that nothing competes with or detracts from the beauty of the aterial itself. Modern designs often use larger tiles—8 in. by 8 in. , 6 in. by 12 in. , 12 in. by 12 in. , or 16 in. by 16 in. —because they feel more expansive. Visual interest comes from the use of multiple materials, patterns, textures, and plane changes. In this example, the height change at the shower area is emphasized with a bump-out separating the plumbing wall into two different planes. Within the shower, 12-in. by 12-in. stone tiles run floor to ceiling. The side edges of the stone tile are mitered to finish the outside corner. Outside the shower, 6-in. by 12-in. ceramic tiles are used on the walls. The running-bond pattern helps to tie the different materials together. 12-in. by 12-in. stone tiles Running-bond pattern is an easy, inexpensive way to add visual interest. Bump-out, 2 in. minimum 6-in. by 12-in. ceramic tiles 3 3. ChaNGING plaNES Room feels more expansive with large floor tiles. Inside corner marks transition from large shower tiles to smaller wall tiles. Mitered outside corner 80 Bathroom Projects bility to use border designs without a special corner tile (see the inset drawing on p. 79). Other areas that demand careful planning are corner borders at wall intersections. If your bath has only inside corners, you will need tiles that are finished only on the face and one edge. Outside corners—those that project into the room—require tiles finished on the face, the top, and one side. If you use tile with a profile, you’ll need a special outside-corner tile. Not all tile manufacturers or lines include these special pieces. The baseboard area, at the junction of wall and floor, is another opportunity for a decorative border. If you used a color band at the top of the tiled wall, a second band of color would work well at the bottom. If not, consider a base tile that is taller than the wainscot tiles. You can choose base tiles with a profile that incorporates a radius to meet the floor tiles. cutting the tiles around the perimeter to fit. These guidelines recommend centering the pattern on either a tile or a grout line, depending on which choice results in the largest tiles around the edges of the room. This is a good place to start, but you may want to adjust your design in response to other features in the room. One of the typical ways your eye determines whether a pattern is centered is by comparing the end tiles: If the tiles on each end are equal in size, you assume the pattern is centered. However, if your eye cannot easily compare the end tiles to each other, you’ll look for other cues, such as alignment. Sometimes, especially in large rooms, it is preferable to center tiles along lines of sight or movement. By following this strategy, the tile pattern is centered on the person using the bathroom. Tiles centered on the entry door are centered on the person who walks through that door; wall tiles centered on the sink and on the mirror above are centered on the person looking in that mirror. Tiles centered on the showerhead and control valves also are centered on the person using the shower. If tile has been centered on the key sink and shower walls, the layout frequently is mirrored on the opposite wall. Centering tile on the sink and the shower controls may be difficult if the sink and the shower are on the same continuous wall; but this design should be possible if the distance between the centerline of the shower or tub fittings and the sink is a multiple of the tile size. Mark out the tile design before any rough plumbing work is done; then adjust fixture placements as required for the most attractive finished room. Alignment and centering of fixtures, tiles, and sightlines reinforces the organizing principles of the design. People subconsciously find that reinforcement reassuring and, consequently, attractive. Lynn Hopkins (www. lhopkinsarch. com), an architect specializing in residential design, is based in Lexington, Massachusetts. Floor Tiles Take a Cue From the Walls Floor tiles need to be more durable and slipresistant than wall tiles, so be sure to select a type intended for floor installation. The safety and durability characteristics of floor tiles may give them a different look than that of wall tiles. To tie the two surfaces together visually, use the same color, texture, pattern, or other design feature from the walls in the flooring. In a traditional bath, for instance, you might use a border of the same color on the walls and the floor. Another strategy is a floor patterned with a mix of small and large tiles, where the color of the small tiles matches that of the wall tile. Smaller tiles result in more grout lines, which give the floor more texture and make it less slippery. The additional grout is more susceptible to dirt and mildew, however. Center Tile Layout on Entries and Fixtures Many tile-layout guidelines suggest positioning the layout on the center of the room and Bathroom-Tile Design 81 1 BatHroom projects Details from Great Bathrooms Benches, shelves, and hooks. Don’t overlook the convenience of a small bench where you can sit and shave, shelves that can hold soap and shampoo, and some open wall space for towel hooks and bars. 82 Tile put to good use. Variations in tile size highlight architectural details, while glassblock tiles let in plenty of light. Bold and beautiful. the play of light and color in this bathroom isn’t an accident. t’s what happens when an architect plans a bathroom remodel with an artist. Details from Great Bathrooms 83 accentuate the positive. Large, rectangular porcelain tiles installed vertically draw attention to the shower’s high ceiling while the mosaic-tile floor provides plenty of traction. liven up a bland room. Blue and white mosaics splash color across the sink wall in this st. paul, minnesota, remodel. Color coordination. staying in the same color family ties together the mosaic pebble floor and the wall of sleek subway tiles. Updating a tradition. Designed to capture the calm richness of traditional japanese architecture but with a modern focus, this bathroom was created with wall and shower tiles by casalgrande padana and custom-cut slate floor tiles. 84 Bathroom Projects Balancing the budget. saving on white ceramic floor and wall tile freed up money for the aquacolored glass mosaic wall tile. let loose. a child’s bathroom is a great place to have fun with tile. this bathroom features a whimsical countertop of brightly colored tile. Use tile to differentiate. on the floor, a switch from 13-in. eramic tile to 2-in. tile (by cerim ceramiche) distinguishes the shower from the dry part of the room. on the walls, a mosaic strip (by ceramica tres estilos) adds zip. Details from Great Bathrooms 85 2 KITChen projeCTs Putting Tile to Work in the Kitchen by Lane Meehan O ur black Lab, Bogey, is a walking mud factory and sheds so much that for tile are granite, marble, and limestone, with granite being the hardest. Stone in its natural state is porous, so wherever it’s used in a kitchen, it must be sealed to resist staining and discoloration. Stone tile has color all the way through, so deep scratches won’t expose a different base color. However, a highly polished surface on a stone tile seems to accentuate even the smallest scratches. Stone can be installed on floors, countertops or backsplashes; however, it does tend to be a high-maintenance product. On the other hand, ceramic tile is made from clay rolled flat and either sun-baked or fired in a kiln. There are hundreds of different clays, each with its own characteristics that can vary the tile’s performance. Color is applied to ceramic tile in the form of baked-on glazes that also seal the tile. In the past, ceramic-tile finishes had problems standing up to heavy use and abuse, but with recent technical advances, ceramic tile now performs better than it used to. With most ceramic tile, the color is he should be bald. When it came time to choose tile for our kitchen floor, we looked for tile that would help disguise evidence of Bogey and our three active boys. We chose a tile that looks like stone but in a color and finish that could hide dirt and dog hair until I had a spare moment to run the vacuum. Our choice was based primarily on ease of maintenance, just one consideration when choosing kitchen tile. As a tile-store owner with a background in design, I field questions all the time about incorporating tile into clients’ kitchens. This chapter addresses the questions I am asked most frequently. What Types of Tile Can I Choose From? The two most basic categories of tile are stone and ceramic. Stone tile is a natural product, mined or quarried directly from the earth. The three most common stones used 86 Tile outlines and defines kitchen spaces. a tile border gives the island in this kitchen, designed by Tim Quigley of Minneapolis, its own separate visual space. The backsplash behind the stove forms a functional accent. Putting Tile to Work in the Kitchen 87 just on the surface, so deep scratches expose the clay below. Porcelain is another manmade tile product. Porcelain is much denser than ordinary ceramic, making it harder to scratch and break. But as with stone, the shinier the surface of ceramic or porcelain, the more scratches will show. So I try not to use highgloss tiles anywhere in a kitchen except on backsplashes, areas that are less susceptible to scratching. In the past, porcelain has been more expensive than ceramic, but improvements in technology have reduced the price. Beyond the amount of gloss, tile finishes can vary greatly. Tile finishes are graded by their ability to resist wear due to traffic; a light-industrial tile has a higher durability rating than most residential-grade tiles. Industrial-rated tile is a bit more expensive, but the extra cost makes sense if your kitchen resembles a freeway. In addition to a durability rating, the Tile Council of America (see â€Å"Sources† on p. 94) gives tile a coefficient of friction (COF) rating, which indicates how slippery the surface will be underfoot. But if the tile feels too smooth or too slick to the touch, it will probably be too slippery to use on the floor. How Do Lifestyle and Lighting Affect Choices? The first thing I ask clients about is their family, their lifestyle, and the way their kitchen is going to be used. For example, for a client who has a large family or who does a lot of entertaining, the kitchen is a busy hub with a casual atmosphere. For this kitchen, I might suggest warm-colored tile with perhaps a softer stone look. After the client’s lifestyle, I look at the type of lighting in the kitchen. If it is blessed with a great deal of natural light from windows or skylights, tumbled marble tile or tile with a matte finish will absorb light and create a softer look (see the photo on p. 90). A textured surface on the tile softens the effect even further. On the other hand, tile with a glossy finish reflects light and helps brighten areas of a kitchen that are dimly lighted or that receive little or no natural light. Remember that glossy tile used in a kitchen with a lot of light, either natural or artificial, requires more frequent cleaning because fingerprints and water spots tend to show up more. When choosing tile, I also look at the color and finish of the cabinets and countertops. If the counters and cabinets have a matte or satin finish, then I try to keep the same feel in the floors and the backsplash. By the same token, if the kitchen has the Tile Offers Almost Endless Options Multipurpose porcelain Ceramic wall tile with blue crackle glaze Commercial ceramic wall tile Rosso-Verona tumbled marble Handmade glazed wall tile Handmade sanded floor tile Porcelain floor tile Limestone tile Stone look-alike ceramic tile Marble floor or wall tile 88 Kitchen Projects Ceramic Tile: Porcelain vs. Nonporcelain l tiles made of clay and cured by heat are ceramic tiles. However, ceramic tile is best understood by dividing it into two product classifications: porcelain and nonporcelain. Their availability and look are roughly the same, but their durability is not. Thanks to a balance in the market, porcelain tiles can now be had at nearly the same price as nonporcelain products. a when the tiles are glazed. Also, when some porcelain tiles are glazed, they are no longer guaranteed to be frostproof. nonporcelain tile is easier to work with Nonporcelain tiles are made primarily of clay mixed with minerals and water. The material is then fired to solidify the tiles into a bisque form. This process creates tile that isn’t as hard as porcelain, so it can be worked more easily with basic snap cutters and nippers instead of a wet saw. In most cases, a sealer and a glaze are applied to the surface of nonporcelain tile to create color and texture before the tile receives a second firing. The glaze applied to nonporcelain tile can make it extremely durable, but never as durable as porcelain. Nonporcelain tile’s main weakness is that it has a water-absorption rate of greater than 0. %. As a result, the tile doesn’t perform nearly as well as unglazed porcelain tile in outdoor freeze/thaw environments. porcelain tile is more durable Porcelain tiles are created by mixing porcelain clay and very finely ground sand, and curing them with high heat and pressure. Porcelain tile is denser and harder than nonporcelain tile and has a lower water-absorption rate of 0. 5% or less. Porcelainâ€⠄¢s density makes it highly resistant to physical damage, while its low absorption rate makes the tile frost resistant, allowing it to be used outdoors. Unglazed porcelain tile is sought after for its full-body characteristics, which means its color remains consistent throughout the tile. Surface scratches and damage are less noticeable as a result, a benefit that diminishes The top choice when strength matters most. although nonporcelain tiles can be quite durable, none are as resilient as porcelain. Buy what looks good. even though damage to nonporcelain tiles is more noticeable than with some porcelain tile, they can be purchased in grades that are perfectly suited for high-contact areas like kitchen counters and floors. Putting Tile to Work in the Kitchen 89 Tile can act as a dimmer switch. This kitchen gets lots of light from two sides. The natural colors and matte finish of the tumbled-marble countertop and backsplash help soften the light and cut down on glare in a kitchen with a lot of windows. polished, streamlined look of many contemporary kitchens, I suggest a straightforward tile pattern with a glossy finish. Tile color can make a large contribution toward a warm or cool feel in a kitchen. The earthy tones of limestone or tumbled marble are the warmest of the tile colors, while bright whites and blues tend to be quite cool. But even cool colors can be warmed with colored grout. For example, an ivory or off-white grout color can take the cool edge off bright white. The reverse can be true if you’re trying to achieve a formal or industrial feel with gray or blue tile. A steel-gray grout helps create a crisp, cool look. A quick vacuum and an occasional mopping, and you’re off and running. If cooking and entertaining are big parts of your life, then I’d suggest tile that won’t stain if hot grease and oil or an occasional glass of wine is spilled on it. A glazed ceramic tile works best in this situation, but for an Old World look, you can use a real stone, such as limestone. If you select a stone-tile floor, be sure to treat it with a good sealer according to the manufacturer’s directions. We recommend either Miracle Sealants’ Porous Plus or One Master Marble and Stone Care’s Gold Shield (see â€Å"Sources† on p. 94) for sealing stone tile. No matter what tile you choose for your kitchen floor, the grout should also be sealed. To make the grout more impervious to spills and stains, I recommend starting with a latex-modified grout or one that is mixed with a latex additive instead of water. Once the grout has cured properly, a sealer such as Miracle Sealants’ Porous Plus will fight off most food incursions. Another grout option is epoxy, which is stain resistant and does not require sealing. But because epoxy is harder to work with for the installer, we generally use it for smaller Will My Three Boys and the Family Dog Hurt My Tile Floor? A client’s lifestyle has the biggest bearing on the choice of floor tile. If you’d rather spend time with your three growing boys than take care of your kitchen floor, I suggest tile that hides a multitude of sins (and dirt) and always seems to look nice, such as a ceramic-stone look-alike (see the photo on the facing page). 90 Kitchen Projects No time for cleaning? For busy, active families with kids and pets, consider a tile floor with a lot of color variations such as this stone look-alike. It stays better looking longer between cleanings. areas, such as countertops. With some tile, such as limestone, epoxy grout is not recommended, so be sure to check with manufacturers’ suggestions. some sort of threshold to create a clean transition into the next room. Tile thickness can also affect doors that swing into the kitchen, as well as appliances, such as dishwashers or trash compactors, that have to fit under the countertops in a kitchen. How Does a Tile Floor Relate to Adjacent Rooms? The kitchen-floor tile should help establish a visual flow into the surrounding areas, so I ask clients about the colors and materials on the floors of the rooms that are adjoining the kitchen. For example, if the kitchen floor joins up with a dark wood floor in the dining room, consider using tile with a warm, medium color to cut down on the visual contrast between rooms. If the kitchen floor meets colored carpet in an adjacent room, keep in mind that you’ll probably change the carpet at some point, so choose a neutral tile color that will go with future carpet choices. Tile thickness is another consideration. Whether the kitchen floor butts up against other existing tile, hardwood floors, or carpet, the tile installer will need to install Can Tile Make My Tiny Kitchen Look Bigger? Tile layout can have a big impact on a room’s appearance. While a parallel or straight pattern can intensify the narrowness of a kitchen, a diagonal tile pattern makes a room look wider (see the sidebar on p. 93). Tile size can also affect the appearance of the room. The smaller the tile, the busier the grout–joint pattern. The simple grout–joint pattern you get with larger 10-in. to 12-in. tiles can make a small room look larger. Smaller 4-in. to 6-in. iles on a floor can have the opposite effect, creating a mosaic pattern or a cobblestone look. Clipping the corners of square tiles creates hexagons or octagons with small square spaces left between. The small tiles (called Putting Tile to Work in the Kitchen 91 dots) that fill the spaces can introduce a dash of color to the floor in a patter n that breaks up the simple straight lines. Irregular tile patterns such as block random (using three sizes of tile) or a pinwheel pattern can help unify a kitchen that has many entrances and exits. These patterns also work well to blend together tile that is highly varied in color. A tile border on the floor can make a kitchen look cozier by bringing the eye in or by creating a frame around the kitchen table or an island (see the photo on p. 87). slab. And with granite tile, it’s easy to add a border to accent or complement the color of the stone. One drawback to stone tile on a countertop is the edges. Although you can round over the edges, granite tile is thinner than a solid slab (3? 8 in. to 1? 2 in. compared with 11? 4 in. , normal thickness for a granite slab), so it’s tougher to get the same full-slab look. Another drawback is not being able to install an undermount sink with granite tile. Although the tight grout joints of granite tile create a good, smooth work surface, machine-made ceramic tile with standard grout joints makes a slightly rougher work surface. Handmade tile is usually installed with wider grout joints that are charming, but its inherently bumpy surface can be difficult to work on and can cause wine glasses and bowls to tip over (see the photos at left). The edges of a tile countertop can be addressed in various ways. Continuing the tile over the edge gives the countertop a thick look. Relief tile, such as a rope pattern, can turn countertop edges into a visual focal point. Wooden edges that match or complement cabinets are also popular. As on floors, borders on countertops can add decoration. But if it’s used in too large an area or if a lot of items are stored on the counter, a border can be lost or distracting. Tile can also be combined with other types of surfaces for a dramatic look (see the photo on p. 90). For instance, the savings from tiling most of the countertop might leave enough money for a solid slab of granite in the sink area for an undermount sink. A stone slab or a wood surface on only the island could make a bold statement while providing a smooth surface for an informal eating area. Is Tile OK for a Kitchen Countertop? Granite-slab countertops have long been popular in high-end kitchens. Tile countertops, both ceramic and stone, have some of the same attributes as slabs, such as durability and heat resistance, but at less than half the cost, depending on the tile you choose. Granite tile can be installed with tight grout joints to give the impression of a solid Handmade tile is pretty but uneven. The irregular surface of handmade ceramic tile is a challenge to work on and can be hazardous to wine glasses. Cutting boards should always be used on tile countertops. 92 Kitchen Projects Tile Patterns at Work he right pattern can make a kitchen look wider. Floor tile installed in a straight pattern makes a narrow room seem narrower (see the left photo below) while tile in a T diagonal pattern softens the tunnel effect of a long, narrow kitchen, making it seem wider (see the right photo below). Can Tile Be Used as a Cutting Board? Although few tile or stone surfaces can stand up to a sharp kitchen knife, most hold up well under other kitchen rigors such as abuse from pots and pans. Limestone scratches easily, but those scratches can be sanded out. Surfaces such as glossy tile or highly polished granite tend to show marks more readily, and their scratches are harder to remove or cover up. Stone or ceramic tile with a matte finish tends to hide scratches and surface abrasions better. Stone tile is also porous, so it has to be sealed properly to resist staining from things such as red wine and grease. And some ceramic tiles, as well as polished stone such as granite or marble, can lose their shine when exposed to some food acids. As in floors, latex-modified grout should be used on tiled countertops along with a good coat of grout sealer. Again, epoxy grout, which costs a little more and is a little harder to install, will make the grout impenetrable. Should the Backsplash Blend or Make a Splash? A tile backsplash is the spot where you can be really creative with tile in the kitchen (see the photos on p. 94). Because a backsplash functions to protect the wall from splashes and splatters that come from cooking and preparing food, the only prerequisite is that backsplash tile be easy to keep clean. Beyond that, the choices become mainly aesthetic. I always ask clients how much stuff they plan to keep on their countertops. Toasters, microwaves, and canisters tend to block the backsplash, and in that case, the backsplash just provides a backdrop of color and tex- Putting Tile to Work in the Kitchen 93 sources Miracle Sealants Company 800-350-1901 www. miraclesealants. com ture. I usually recommend extending the tile from the countertop all the way to the bottoms of the wall cabinets so that the backsplash acts as a visual connection between the upper and lower cabinets. Borders usually work best above long stretches of counter that are uninterrupted by windows or appliances. And when installed three-quarters of the way up the backsplash, a border won’t get lost near the countertop or under the wall cabinets. At that height, a border will usually clear the height of the toaster or a bowl of fruit for a continuous line. If the client is thinking of having decorative tiles scattered randomly throughout the backsplash, I suggest taping playing cards to the wall at random to see if the effect works in that particular kitchen. Playing cards can also be used in a line to test the visual power of a border. Isn’t Tile Expensive? Tile varies greatly in price, and budget is a concern for the vast majority of my clients. So here’s my strategy for keeping costs down. First, use reasonably priced machinemade tile for large areas in the kitchen. Then there will be money left for those handmade borders, small murals, or strategically placed accent tiles that will give your kitchen a rich look without breaking the bank (see the right photo below). Installation prices can vary greatly depending on the type of tile, the layout, and the conditions of the existing floors and walls. A tile installer can explain what your options are and how much each option costs. Even if you opt for a less expensive installation, always seal the tile. Sealing tile is pretty easy, so you can save a little by doing it yourself. Spend some money on a good sealer. Lane Meehan is a tile maker and designer of decorative tiles. She and her husband, Tom, own and manage Cape Cod Tileworks in Harwich, Massachusetts. orous plus One Master Marble and Stone Care 760-406-1097 www. onemastermarble. com Gold shield The Tile Council of America 864-646-8453 www. tileusa. com Tile Art and Accents he backsplash of cows in a pasture (see the left photo below) in this kitchen designed by Randy Fritz of Lakeside, Calif. , combines the art of Roger Dunham of Petaluma, Calif. , with the practicality of T ceramic tile. Random decorative tiles in a backsplash of less expens ive, machine-made tile (see the right photo below) give this kitchen a colorful accent. 94 Kitchen Projects Architectural Textbook on How to Draw Perspective Before going to the store, think about the character of your new bath. Are you interested in a traditional bathroom with historical references, something with fixtures and finishes that remind you of an earlier time? Or are you dreaming of something more sleek and modern? Regardless of the style of bathroom you choose, designing a tile installation requires forethought. The accompanying drawings illustrate key areas to consider when developing a tile design and show how the traditional or modern character of the room might influence tile selection and layout. As part of the planning process, I recommend making detailed drawings that show which tiles go where on both the floor and the walls. An accurate, scaled sketch of a section of wall and floor, plus any special corner conditions, makes it much easier to order, lay out, and correctly install the tile. Start by Planning the Walls There are three standard heights to consider when tiling a bathroom wall: wainscot height, shower height, and full-wall height. You may use one, two, or all three of these heights in a single bathroom, depending on the look you are trying to achieve and on your budget. Because tiled walls are more expensive than wallboard, tile often is used only where it is needed most: on the lower portion of the wall that requires water protection. This wainscot is usually between 36 in. and 42 in. tall, enough to provide a backsplash of 4 in. or so above the sink. Tile protects the walls below towel bars from wet towels, and the walls around the toilet from the spray of rambunctious kids. Tiling to wainscot height may be adequate protection around tubs without showers as most splashes occur below this line. In a shower area, however, all enclosure walls should be tiled high enough to protect the walls from water spray, at least 72 in. and preferably to the ceiling. 78 Details for a Traditional Bathroom 3-in. by 6-in. brick tiles 1-in. by 6-in. color band Fixtures are centered on tile layout. 1 Shower enclosure is tiled to at least 72 in. At least 4 in. 36 in. to 42 in. Bullnose tiles 2 Border tiles define limits of the room. 6-in. by 6-in. tiles 1. TURNING CORNERS Profiled edge tiles 2. INSIDE CORNERS A bathroom with traditional characteristics has plumbing fixtures that take their styling cues from an earlier era, generally the 1920s or 1930s. The tile should reinforce these historical references. Small wall tiles, such as 3 in. by 6 in. , 4 in. by 4 in. , and even smaller mosaics, were typical in the old days, in part because the adhesive available could not support tiles that were much larger and heavier than 6 in. q. Traditional styles often celebrate the edges where tile meets wall or where wall meets floor with a border or fancy molding profile. Borders run around the perimeter of the floor and/or walls, defining the limits of the room. Bathroom-Tile Design 79 Choose the Right Tile Tiles finished on only the front face are called field tiles. When installed, they are butted next to each other with grout filling the spaces in between. Wherever wall tile stops short of the ceiling, field tiles should not be installed on the top row because the raw, unfinished edge of the tiles will be exposed. For these locations, use tile with at least one finished edge. Typically, the finished edge is a rounded bullnose shape that makes an elegant transition from tile to wall surface. In bathrooms with traditional styling, this transitional edge frequently is celebrated with a decorative border that intro- duces a band of color, a pattern, a texture, or a special profile (see the drawings on p. 79). Borders Create a Transition Although a decorative border is a great way to handle the tile-to-wall transition, you’ll need to consider how to handle the border when the tile goes from a lower to a taller height. In a traditionally styled bath, I prefer to turn the edging and keep the border moving up, over, and down again, using mitered corners at each turn. I find that a miter creates a crisp, clean look and allows the flexi- Details for a Modern Bathroom The details in a modern room imply expansiveness and continuity. Tile frequently runs continuously from floor to ceiling or from corner to corner. Borders like those found in a traditional bath are seldom used because they would feel constrictive. Luxurious materials, such as stone, are treated simply so that nothing competes with or detracts from the beauty of the aterial itself. Modern designs often use larger tiles—8 in. by 8 in. , 6 in. by 12 in. , 12 in. by 12 in. , or 16 in. by 16 in. —because they feel more expansive. Visual interest comes from the use of multiple materials, patterns, textures, and plane changes. In this example, the height change at the shower area is emphasized with a bump-out separating the plumbing wall into two different planes. Within the shower, 12-in. by 12-in. stone tiles run floor to ceiling. The side edges of the stone tile are mitered to finish the outside corner. Outside the shower, 6-in. by 12-in. ceramic tiles are used on the walls. The running-bond pattern helps to tie the different materials together. 12-in. by 12-in. stone tiles Running-bond pattern is an easy, inexpensive way to add visual interest. Bump-out, 2 in. minimum 6-in. by 12-in. ceramic tiles 3 3. ChaNGING plaNES Room feels more expansive with large floor tiles. Inside corner marks transition from large shower tiles to smaller wall tiles. Mitered outside corner 80 Bathroom Projects bility to use border designs without a special corner tile (see the inset drawing on p. 79). Other areas that demand careful planning are corner borders at wall intersections. If your bath has only inside corners, you will need tiles that are finished only on the face and one edge. Outside corners—those that project into the room—require tiles finished on the face, the top, and one side. If you use tile with a profile, you’ll need a special outside-corner tile. Not all tile manufacturers or lines include these special pieces. The baseboard area, at the junction of wall and floor, is another opportunity for a decorative border. If you used a color band at the top of the tiled wall, a second band of color would work well at the bottom. If not, consider a base tile that is taller than the wainscot tiles. You can choose base tiles with a profile that incorporates a radius to meet the floor tiles. cutting the tiles around the perimeter to fit. These guidelines recommend centering the pattern on either a tile or a grout line, depending on which choice results in the largest tiles around the edges of the room. This is a good place to start, but you may want to adjust your design in response to other features in the room. One of the typical ways your eye determines whether a pattern is centered is by comparing the end tiles: If the tiles on each end are equal in size, you assume the pattern is centered. However, if your eye cannot easily compare the end tiles to each other, you’ll look for other cues, such as alignment. Sometimes, especially in large rooms, it is preferable to center tiles along lines of sight or movement. By following this strategy, the tile pattern is centered on the person using the bathroom. Tiles centered on the entry door are centered on the person who walks through that door; wall tiles centered on the sink and on the mirror above are centered on the person looking in that mirror. Tiles centered on the showerhead and control valves also are centered on the person using the shower. If tile has been centered on the key sink and shower walls, the layout frequently is mirrored on the opposite wall. Centering tile on the sink and the shower controls may be difficult if the sink and the shower are on the same continuous wall; but this design should be possible if the distance between the centerline of the shower or tub fittings and the sink is a multiple of the tile size. Mark out the tile design before any rough plumbing work is done; then adjust fixture placements as required for the most attractive finished room. Alignment and centering of fixtures, tiles, and sightlines reinforces the organizing principles of the design. People subconsciously find that reinforcement reassuring and, consequently, attractive. Lynn Hopkins (www. lhopkinsarch. com), an architect specializing in residential design, is based in Lexington, Massachusetts. Floor Tiles Take a Cue From the Walls Floor tiles need to be more durable and slipresistant than wall tiles, so be sure to select a type intended for floor installation. The safety and durability characteristics of floor tiles may give them a different look than that of wall tiles. To tie the two surfaces together visually, use the same color, texture, pattern, or other design feature from the walls in the flooring. In a traditional bath, for instance, you might use a border of the same color on the walls and the floor. Another strategy is a floor patterned with a mix of small and large tiles, where the color of the small tiles matches that of the wall tile. Smaller tiles result in more grout lines, which give the floor more texture and make it less slippery. The additional grout is more susceptible to dirt and mildew, however. Center Tile Layout on Entries and Fixtures Many tile-layout guidelines suggest positioning the layout on the center of the room and Bathroom-Tile Design 81 1 BatHroom projects Details from Great Bathrooms Benches, shelves, and hooks. Don’t overlook the convenience of a small bench where you can sit and shave, shelves that can hold soap and shampoo, and some open wall space for towel hooks and bars. 82 Tile put to good use. Variations in tile size highlight architectural details, while glassblock tiles let in plenty of light. Bold and beautiful. the play of light and color in this bathroom isn’t an accident. t’s what happens when an architect plans a bathroom remodel with an artist. Details from Great Bathrooms 83 accentuate the positive. Large, rectangular porcelain tiles installed vertically draw attention to the shower’s high ceiling while the mosaic-tile floor provides plenty of traction. liven up a bland room. Blue and white mosaics splash color across the sink wall in this st. paul, minnesota, remodel. Color coordination. staying in the same color family ties together the mosaic pebble floor and the wall of sleek subway tiles. Updating a tradition. Designed to capture the calm richness of traditional japanese architecture but with a modern focus, this bathroom was created with wall and shower tiles by casalgrande padana and custom-cut slate floor tiles. 84 Bathroom Projects Balancing the budget. saving on white ceramic floor and wall tile freed up money for the aquacolored glass mosaic wall tile. let loose. a child’s bathroom is a great place to have fun with tile. this bathroom features a whimsical countertop of brightly colored tile. Use tile to differentiate. on the floor, a switch from 13-in. eramic tile to 2-in. tile (by cerim ceramiche) distinguishes the shower from the dry part of the room. on the walls, a mosaic strip (by ceramica tres estilos) adds zip. Details from Great Bathrooms 85 2 KITChen projeCTs Putting Tile to Work in the Kitchen by Lane Meehan O ur black Lab, Bogey, is a walking mud factory and sheds so much that for tile are granite, marble, and limestone, with granite being the hardest. Stone in its natural state is porous, so wherever it’s used in a kitchen, it must be sealed to resist staining and discoloration. Stone tile has color all the way through, so deep scratches won’t expose a different base color. However, a highly polished surface on a stone tile seems to accentuate even the smallest scratches. Stone can be installed on floors, countertops or backsplashes; however, it does tend to be a high-maintenance product. On the other hand, ceramic tile is made from clay rolled flat and either sun-baked or fired in a kiln. There are hundreds of different clays, each with its own characteristics that can vary the tile’s performance. Color is applied to ceramic tile in the form of baked-on glazes that also seal the tile. In the past, ceramic-tile finishes had problems standing up to heavy use and abuse, but with recent technical advances, ceramic tile now performs better than it used to. With most ceramic tile, the color is he should be bald. When it came time to choose tile for our kitchen floor, we looked for tile that would help disguise evidence of Bogey and our three active boys. We chose a tile that looks like stone but in a color and finish that could hide dirt and dog hair until I had a spare moment to run the vacuum. Our choice was based primarily on ease of maintenance, just one consideration when choosing kitchen tile. As a tile-store owner with a background in design, I field questions all the time about incorporating tile into clients’ kitchens. This chapter addresses the questions I am asked most frequently. What Types of Tile Can I Choose From? The two most basic categories of tile are stone and ceramic. Stone tile is a natural product, mined or quarried directly from the earth. The three most common stones used 86 Tile outlines and defines kitchen spaces. a tile border gives the island in this kitchen, designed by Tim Quigley of Minneapolis, its own separate visual space. The backsplash behind the stove forms a functional accent. Putting Tile to Work in the Kitchen 87 just on the surface, so deep scratches expose the clay below. Porcelain is another manmade tile product. Porcelain is much denser than ordinary ceramic, making it harder to scratch and break. But as with stone, the shinier the surface of ceramic or porcelain, the more scratches will show. So I try not to use highgloss tiles anywhere in a kitchen except on backsplashes, areas that are less susceptible to scratching. In the past, porcelain has been more expensive than ceramic, but improvements in technology have reduced the price. Beyond the amount of gloss, tile finishes can vary greatly. Tile finishes are graded by their ability to resist wear due to traffic; a light-industrial tile has a higher durability rating than most residential-grade tiles. Industrial-rated tile is a bit more expensive, but the extra cost makes sense if your kitchen resembles a freeway. In addition to a durability rating, the Tile Council of America (see â€Å"Sources† on p. 94) gives tile a coefficient of friction (COF) rating, which indicates how slippery the surface will be underfoot. But if the tile feels too smooth or too slick to the touch, it will probably be too slippery to use on the floor. How Do Lifestyle and Lighting Affect Choices? The first thing I ask clients about is their family, their lifestyle, and the way their kitchen is going to be used. For example, for a client who has a large family or who does a lot of entertaining, the kitchen is a busy hub with a casual atmosphere. For this kitchen, I might suggest warm-colored tile with perhaps a softer stone look. After the client’s lifestyle, I look at the type of lighting in the kitchen. If it is blessed with a great deal of natural light from windows or skylights, tumbled marble tile or tile with a matte finish will absorb light and create a softer look (see the photo on p. 90). A textured surface on the tile softens the effect even further. On the other hand, tile with a glossy finish reflects light and helps brighten areas of a kitchen that are dimly lighted or that receive little or no natural light. Remember that glossy tile used in a kitchen with a lot of light, either natural or artificial, requires more frequent cleaning because fingerprints and water spots tend to show up more. When choosing tile, I also look at the color and finish of the cabinets and countertops. If the counters and cabinets have a matte or satin finish, then I try to keep the same feel in the floors and the backsplash. By the same token, if the kitchen has the Tile Offers Almost Endless Options Multipurpose porcelain Ceramic wall tile with blue crackle glaze Commercial ceramic wall tile Rosso-Verona tumbled marble Handmade glazed wall tile Handmade sanded floor tile Porcelain floor tile Limestone tile Stone look-alike ceramic tile Marble floor or wall tile 88 Kitchen Projects Ceramic Tile: Porcelain vs. Nonporcelain l tiles made of clay and cured by heat are ceramic tiles. However, ceramic tile is best understood by dividing it into two product classifications: porcelain and nonporcelain. Their availability and look are roughly the same, but their durability is not. Thanks to a balance in the market, porcelain tiles can now be had at nearly the same price as nonporcelain products. a when the tiles are glazed. Also, when some porcelain tiles are glazed, they are no longer guaranteed to be frostproof. nonporcelain tile is easier to work with Nonporcelain tiles are made primarily of clay mixed with minerals and water. The material is then fired to solidify the tiles into a bisque form. This process creates tile that isn’t as hard as porcelain, so it can be worked more easily with basic snap cutters and nippers instead of a wet saw. In most cases, a sealer and a glaze are applied to the surface of nonporcelain tile to create color and texture before the tile receives a second firing. The glaze applied to nonporcelain tile can make it extremely durable, but never as durable as porcelain. Nonporcelain tile’s main weakness is that it has a water-absorption rate of greater than 0. %. As a result, the tile doesn’t perform nearly as well as unglazed porcelain tile in outdoor freeze/thaw environments. porcelain tile is more durable Porcelain tiles are created by mixing porcelain clay and very finely ground sand, and curing them with high heat and pressure. Porcelain tile is denser and harder than nonporcelain tile and has a lower water-absorption rate of 0. 5% or less. Porcelainâ€⠄¢s density makes it highly resistant to physical damage, while its low absorption rate makes the tile frost resistant, allowing it to be used outdoors. Unglazed porcelain tile is sought after for its full-body characteristics, which means its color remains consistent throughout the tile. Surface scratches and damage are less noticeable as a result, a benefit that diminishes The top choice when strength matters most. although nonporcelain tiles can be quite durable, none are as resilient as porcelain. Buy what looks good. even though damage to nonporcelain tiles is more noticeable than with some porcelain tile, they can be purchased in grades that are perfectly suited for high-contact areas like kitchen counters and floors. Putting Tile to Work in the Kitchen 89 Tile can act as a dimmer switch. This kitchen gets lots of light from two sides. The natural colors and matte finish of the tumbled-marble countertop and backsplash help soften the light and cut down on glare in a kitchen with a lot of windows. polished, streamlined look of many contemporary kitchens, I suggest a straightforward tile pattern with a glossy finish. Tile color can make a large contribution toward a warm or cool feel in a kitchen. The earthy tones of limestone or tumbled marble are the warmest of the tile colors, while bright whites and blues tend to be quite cool. But even cool colors can be warmed with colored grout. For example, an ivory or off-white grout color can take the cool edge off bright white. The reverse can be true if you’re trying to achieve a formal or industrial feel with gray or blue tile. A steel-gray grout helps create a crisp, cool look. A quick vacuum and an occasional mopping, and you’re off and running. If cooking and entertaining are big parts of your life, then I’d suggest tile that won’t stain if hot grease and oil or an occasional glass of wine is spilled on it. A glazed ceramic tile works best in this situation, but for an Old World look, you can use a real stone, such as limestone. If you select a stone-tile floor, be sure to treat it with a good sealer according to the manufacturer’s directions. We recommend either Miracle Sealants’ Porous Plus or One Master Marble and Stone Care’s Gold Shield (see â€Å"Sources† on p. 94) for sealing stone tile. No matter what tile you choose for your kitchen floor, the grout should also be sealed. To make the grout more impervious to spills and stains, I recommend starting with a latex-modified grout or one that is mixed with a latex additive instead of water. Once the grout has cured properly, a sealer such as Miracle Sealants’ Porous Plus will fight off most food incursions. Another grout option is epoxy, which is stain resistant and does not require sealing. But because epoxy is harder to work with for the installer, we generally use it for smaller Will My Three Boys and the Family Dog Hurt My Tile Floor? A client’s lifestyle has the biggest bearing on the choice of floor tile. If you’d rather spend time with your three growing boys than take care of your kitchen floor, I suggest tile that hides a multitude of sins (and dirt) and always seems to look nice, such as a ceramic-stone look-alike (see the photo on the facing page). 90 Kitchen Projects No time for cleaning? For busy, active families with kids and pets, consider a tile floor with a lot of color variations such as this stone look-alike. It stays better looking longer between cleanings. areas, such as countertops. With some tile, such as limestone, epoxy grout is not recommended, so be sure to check with manufacturers’ suggestions. some sort of threshold to create a clean transition into the next room. Tile thickness can also affect doors that swing into the kitchen, as well as appliances, such as dishwashers or trash compactors, that have to fit under the countertops in a kitchen. How Does a Tile Floor Relate to Adjacent Rooms? The kitchen-floor tile should help establish a visual flow into the surrounding areas, so I ask clients about the colors and materials on the floors of the rooms that are adjoining the kitchen. For example, if the kitchen floor joins up with a dark wood floor in the dining room, consider using tile with a warm, medium color to cut down on the visual contrast between rooms. If the kitchen floor meets colored carpet in an adjacent room, keep in mind that you’ll probably change the carpet at some point, so choose a neutral tile color that will go with future carpet choices. Tile thickness is another consideration. Whether the kitchen floor butts up against other existing tile, hardwood floors, or carpet, the tile installer will need to install Can Tile Make My Tiny Kitchen Look Bigger? Tile layout can have a big impact on a room’s appearance. While a parallel or straight pattern can intensify the narrowness of a kitchen, a diagonal tile pattern makes a room look wider (see the sidebar on p. 93). Tile size can also affect the appearance of the room. The smaller the tile, the busier the grout–joint pattern. The simple grout–joint pattern you get with larger 10-in. to 12-in. tiles can make a small room look larger. Smaller 4-in. to 6-in. iles on a floor can have the opposite effect, creating a mosaic pattern or a cobblestone look. Clipping the corners of square tiles creates hexagons or octagons with small square spaces left between. The small tiles (called Putting Tile to Work in the Kitchen 91 dots) that fill the spaces can introduce a dash of color to the floor in a patter n that breaks up the simple straight lines. Irregular tile patterns such as block random (using three sizes of tile) or a pinwheel pattern can help unify a kitchen that has many entrances and exits. These patterns also work well to blend together tile that is highly varied in color. A tile border on the floor can make a kitchen look cozier by bringing the eye in or by creating a frame around the kitchen table or an island (see the photo on p. 87). slab. And with granite tile, it’s easy to add a border to accent or complement the color of the stone. One drawback to stone tile on a countertop is the edges. Although you can round over the edges, granite tile is thinner than a solid slab (3? 8 in. to 1? 2 in. compared with 11? 4 in. , normal thickness for a granite slab), so it’s tougher to get the same full-slab look. Another drawback is not being able to install an undermount sink with granite tile. Although the tight grout joints of granite tile create a good, smooth work surface, machine-made ceramic tile with standard grout joints makes a slightly rougher work surface. Handmade tile is usually installed with wider grout joints that are charming, but its inherently bumpy surface can be difficult to work on and can cause wine glasses and bowls to tip over (see the photos at left). The edges of a tile countertop can be addressed in various ways. Continuing the tile over the edge gives the countertop a thick look. Relief tile, such as a rope pattern, can turn countertop edges into a visual focal point. Wooden edges that match or complement cabinets are also popular. As on floors, borders on countertops can add decoration. But if it’s used in too large an area or if a lot of items are stored on the counter, a border can be lost or distracting. Tile can also be combined with other types of surfaces for a dramatic look (see the photo on p. 90). For instance, the savings from tiling most of the countertop might leave enough money for a solid slab of granite in the sink area for an undermount sink. A stone slab or a wood surface on only the island could make a bold statement while providing a smooth surface for an informal eating area. Is Tile OK for a Kitchen Countertop? Granite-slab countertops have long been popular in high-end kitchens. Tile countertops, both ceramic and stone, have some of the same attributes as slabs, such as durability and heat resistance, but at less than half the cost, depending on the tile you choose. Granite tile can be installed with tight grout joints to give the impression of a solid Handmade tile is pretty but uneven. The irregular surface of handmade ceramic tile is a challenge to work on and can be hazardous to wine glasses. Cutting boards should always be used on tile countertops. 92 Kitchen Projects Tile Patterns at Work he right pattern can make a kitchen look wider. Floor tile installed in a straight pattern makes a narrow room seem narrower (see the left photo below) while tile in a T diagonal pattern softens the tunnel effect of a long, narrow kitchen, making it seem wider (see the right photo below). Can Tile Be Used as a Cutting Board? Although few tile or stone surfaces can stand up to a sharp kitchen knife, most hold up well under other kitchen rigors such as abuse from pots and pans. Limestone scratches easily, but those scratches can be sanded out. Surfaces such as glossy tile or highly polished granite tend to show marks more readily, and their scratches are harder to remove or cover up. Stone or ceramic tile with a matte finish tends to hide scratches and surface abrasions better. Stone tile is also porous, so it has to be sealed properly to resist staining from things such as red wine and grease. And some ceramic tiles, as well as polished stone such as granite or marble, can lose their shine when exposed to some food acids. As in floors, latex-modified grout should be used on tiled countertops along with a good coat of grout sealer. Again, epoxy grout, which costs a little more and is a little harder to install, will make the grout impenetrable. Should the Backsplash Blend or Make a Splash? A tile backsplash is the spot where you can be really creative with tile in the kitchen (see the photos on p. 94). Because a backsplash functions to protect the wall from splashes and splatters that come from cooking and preparing food, the only prerequisite is that backsplash tile be easy to keep clean. Beyond that, the choices become mainly aesthetic. I always ask clients how much stuff they plan to keep on their countertops. Toasters, microwaves, and canisters tend to block the backsplash, and in that case, the backsplash just provides a backdrop of color and tex- Putting Tile to Work in the Kitchen 93 sources Miracle Sealants Company 800-350-1901 www. miraclesealants. com ture. I usually recommend extending the tile from the countertop all the way to the bottoms of the wall cabinets so that the backsplash acts as a visual connection between the upper and lower cabinets. Borders usually work best above long stretches of counter that are uninterrupted by windows or appliances. And when installed three-quarters of the way up the backsplash, a border won’t get lost near the countertop or under the wall cabinets. At that height, a border will usually clear the height of the toaster or a bowl of fruit for a continuous line. If the client is thinking of having decorative tiles scattered randomly throughout the backsplash, I suggest taping playing cards to the wall at random to see if the effect works in that particular kitchen. Playing cards can also be used in a line to test the visual power of a border. Isn’t Tile Expensive? Tile varies greatly in price, and budget is a concern for the vast majority of my clients. So here’s my strategy for keeping costs down. First, use reasonably priced machinemade tile for large areas in the kitchen. Then there will be money left for those handmade borders, small murals, or strategically placed accent tiles that will give your kitchen a rich look without breaking the bank (see the right photo below). Installation prices can vary greatly depending on the type of tile, the layout, and the conditions of the existing floors and walls. A tile installer can explain what your options are and how much each option costs. Even if you opt for a less expensive installation, always seal the tile. Sealing tile is pretty easy, so you can save a little by doing it yourself. Spend some money on a good sealer. Lane Meehan is a tile maker and designer of decorative tiles. She and her husband, Tom, own and manage Cape Cod Tileworks in Harwich, Massachusetts. orous plus One Master Marble and Stone Care 760-406-1097 www. onemastermarble. com Gold shield The Tile Council of America 864-646-8453 www. tileusa. com Tile Art and Accents he backsplash of cows in a pasture (see the left photo below) in this kitchen designed by Randy Fritz of Lakeside, Calif. , combines the art of Roger Dunham of Petaluma, Calif. , with the practicality of T ceramic tile. Random decorative tiles in a backsplash of less expens ive, machine-made tile (see the right photo below) give this kitchen a colorful accent. 94 Kitchen Projects

Question 1 business ethic report Essay Example | Topics and Well Written Essays - 2500 words

Question 1 business ethic report - Essay Example Common ethical issues faced by international businesses include personal working conditions, child labor, and corruption among others. These issues create dilemmas to management, hence the need for a business to develop its own strategies to deal with them. Ethical issues and dilemmas may arise in four levels. These include individual or professional level, organizational level, industrial level, and societal and international level. In individual or professional level, a person faces pressure from conflicting interests or in circumstances that call for decision-making. At this level, ethical dilemmas may originate from personal situations or pressure from work. An individual or personal dilemma may spread problems in the organization if not dealt with early enough (Weiss, 2008, p. 98). Organizational level involves the duty of the business to the shareholders and stakeholders. Business will find itself in a dilemma with these two parties if it carries out unethical practices. For ex ample, the case of the American Airlines, where the company had to stop more than 900 flights in 2008 with the f correcting errors found in the wheels of these planes. This situation had put very many people at risk of death or harm (Weiss, 2008, p. 98). In industrial level, the company staff or workforce may be influenced to carry out some functions in the industry. Some of the business practices undertaken by businesses in an industry are unethical or illegal. Individual, professional, organizational, and industrial practices may conflict with those of societal and international levels. For instance, during the payment of cash to the government and offering tips to employees in a certain country may be unacceptable practices, but in certain countries such practices may be illegal and unethical, hence will be considered as bribery (Weiss, 2008, p. 99). Ethical behaviors According to David Smith, there are three types of ethical behaviors. These include universal base code, which re fers to behaviors that are acceptable all over the world. These are codes of conduct that do not change with time and are affected by geographical and culture of people. Super imposed codes change with culture, region and time. Lastly, legal codes or laws, according to David laws are full of limitations as measures of ethics. The current legal framework supports capitalism which has always been considered wrong. At this point, I will share my sentiments with Smith that, an individual’s views on what is ethical or unethical depends on where he or she is located. For example, many countries in the world have zero tolerance on drug trafficking and abuse. A country like Dubai, a drug dealer is likely to be sentenced to hanging while in some countries; some hardcore drugs are still legal. A person may commit an act that to others is immoral and unethical, but the person could still get support some individual especially of the same culture. With this in mind, SIG came up with its own means and plan to help in making ethical decisions. The ethical framework Each company should have a measure of standard to warn against any deviation from ethical practices. An organization should keep in mind laws governing completion in different companies, corruption, policies on human rights and safety of both employees and customers especially in the communist countries. Smith during his lecture suggested that businesses longing to succeed should not consider

Walmart Essay Example | Topics and Well Written Essays - 250 words - 5

Walmart - Essay Example First, Wal-Mart would connect to the values international money market and foreign exchange contracts. It will also use it to trade the excess earnings through foreign exchange. The international money market exchange would be used for trading the extra earnings in the local currencies of various Asian countries as well as in initiating interest rate future contracts and options (Mehrling, 2005). This will be done with a view of avoiding shocks caused by unexpected devaluation of the respective local currencies within the specified Asian countries. c) Wal-Mart could use the international bond market to finance the establishment of new outlets in foreign markets by selling foreign bonds to foreign borrowers (Mehrling, 2005). Since the foreign bonds are designated in local currency, Wal-Mart could target borrowers within the targeted regions/countries where the new outlets are to be established. This will raise the amount required to finance the new outlets. Once established and wishes to establish more outlets within a specific country, it can act as domestic borrower and issue local bonds to raise funds for more outlets within the same

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Clifford and James - Essay Example Clifford, therefore, could justify that the truth that the car is blue because believes in the weight of authority. He understands that the car cannot be red and blue at the same time. According to the weight of authority, something cannot possess the qualities of both truth and false concurrently because a lot of knowledge exists to counter such as an argument. Consequently, a car can only be blue and nothing else. It is supported by the law of excluded middle that affirms that an object can only possess two qualities namely truth or false. Clifford, thus, acknowledges that if the car is not blue, then it is not a car. However, Clifford could also say God does not exist. According to constructivist theorists, truth is a construction of varying social processes that encompass overt questioning on modes of thought. As a result, it is upon Clifford to determine his knowledge of God through different perceptions that is always influenced by through representations of physical and biological reality. Determination of objective truth on the veracity of God’s existence is, hence, deflected by the social construction of the individual compounded by the factors false ideology, power or knowledge. James equally has the right to claim God exists and adduce enough evidence of proving his claim. This is because validity of a claim rests on evidentialism, overbelief, and faith. In formulating his argument, James will assert that God exists because his conditioning is guided by social processes of a strong faith. It differs from the conflict of Clifford’s view that God does not exist on the basis that their realities of knowledge differ (James 7). For example, while James’s reality is pegged on the distinct identity of a Supreme Being, his counterpart bears contradictions on the concept of God in the aspect of context. I agree with James in regards to statement (A) that God exists and not Clifford because the concept of belief is what

Statement of the Problem for my dissertation Research Paper

Statement of the Problem for my dissertation - Research Paper Example A number of research studies about the RET programs have shown variations in changes and radical improvements relating to the teachers. There is some form of agreement that RET programs are excellent for the instructors as it broadens the intellect during study and empowers the teachers with sufficient acquaintance on how to work on research. The NGSS practices have been established to be the best to educators and students since they enhance learning through students’ engagements such as enabling them to vigorously explore the scientific knowledge. This knowledge is supposed to be acquired in class by practicing actual scientific or engineering research (NGSS Lead States, 2013). Most of the findings put forward that science teachers are required to go through comprehensive assessment to establish if they have embraced research as an imperative factor that improves their teaching practices. (Musante, 2006). Background on RET programs What are RET programs? In the course of RET programs teachers discover the way scientists do research in STEM fields. In addition, teachers play a role in the environment of scientific research (Grove, Dixon, Pop, 2009, Ononye et al., 2007). RET programs more often than not distribute teachers in research laboratories for a period that ranges from six weeks to two months to make possible their participation in scientific research in the true world (Pop, Dixon & Grove, 2010). The (STEM) fields as well as faculty of computer science and engineering in colleges to make information and acquaintance associated to these fields accessible to students. Features of RET programs Teacher participation in the RET program is very important in terms of teachers’ knowledge and scientific research. Research Experiences for Teacher (RET) has stirred up professional development amongst teachers and students themselves. In effect, it has improved the teaching and learning practices in classroom. RET programs vary considerably depending o n the specialization of the teachers. Moreover, other research methods such as discussions, observations and interviews are geared toward improving the understanding of scientific research practice while some focus on basic skills of solutions for mathematical and scientific problems (Schulte, 2009). Research on RETs As in every profession, research and experience still remain a fundamental characteristic in the field of education. Research in this case comprises the knowledge and skills bestowed by observation and proceedings gained by exploring a given aspect. Most of the findings suggest that science teachers are required to go through comprehensive assessment to determine if they have embraced research as an important factor that improves their teaching practices. This is because most teachers are conversant with class tests in contrast to research practices, which are perceived to expose them to many skills needed during actual professional exploration (Goreham, 2010). Effects on teacher’ practice Several studies have shown that teachers who used an online support system are at an advantage of translating their research experience into their own classroom teaching after participating in the RET (Hardre, Nanny, Refai, & Slater, 2010). It is worth noting; however, after the teachers had research

Analysis of Service Learning Essay Example | Topics and Well Written Essays - 500 words

Analysis of Service Learning - Essay Example Habitat for Humanity is a project provided by the non-profit store that creates additional funding to help people who need support in housing purposes. The project was conducted on April 28, 2015, from 1.00 PM to 6.00 pm at the Lynnwood branch and I was a member of the project’s staff. Hence, I helped to tag prices on the incoming items and cleaned the floor in the store. I worked with few people who were great supporters of the project and believed in its success and utility for the society in general and for Snohomish County in particular. I’ve got a lot of experiences concerning trading and teamwork. First of all, I’ve realized that teamwork is a complicated kind communication that requires a lot of patience and ability to conform to other people who one works with. Also, dealing with customers, sometimes I had to be nice and appreciate the position of each and every one of them, so basically I had to understand their needs and the conditions they lived in. Th ough I’ve managed to observe how various are people’s cultural backgrounds, lifestyles, customs, and traditions. It was a great experience that will encourage my further learning of different cultures presented in the United States. The experience I’ve got is definitely closely related to anthropology as I dealt with various kinds of interpersonal communication and integration into multiple forms of American culture. For instance, working with people of various lifestyles and cultural backgrounds made me realize the factors that affect the development of people’s personalities’ and such things as social adaptation, preferences, and even their styles of communication between each other. Hence, exploring different items, both donated and purchased, has made me take a look at people’s various lifestyles and cultures; I also learned how people’s home appliances are related to their social status or striving to get one.

Business law Essay Example | Topics and Well Written Essays - 2000 words

Business law - Essay Example The judges have to judge the intention objectively. In all circumstances, a court has to ask whether in the circumstances a reasonable person would regard the agreement as it was intended to be binding. In any circumstance that a party in the case wants to prove for sure there was an intention to be legally bound, the party must present the evidence of the intention to the court and prove it beyond reasonable doubt. In the case Thomas v Thomas (1842) 2 QB 851, the case is about an action which was brought by a widow against the executor of her husband. The day that the husband died, he had stated that he clearly wanted his wife to get one of the houses for the rest of her life. He said that in front of his witnesses. After the husband died, his executors decided to attach a life interest in one of the houses. This was so if the wife agreed to pay one pound per rent and provided that she kept the house in good condition. After some time, the executor refused to totally complete the co nveyance as he had promised. It was ruled that the respect for the wishes of the testator was not sufficient for the consideration. In the case Ermogenous v Greek Orthodox Community of SA Inc (2002) 209 CLR 95, Ermogenous who was a Bishop made a claim to be paid money which he thought was a compensation for his service from the church he was serving, that is Greek Orthodox Community. In the first instance he succeeded in convincing the judges. But when the case was taken to Full Court of the Supreme Court of SA, the judges found that there was no intention of creating legal relations between the parties which were involved. In the case Placer Development Ltd v Commonwealth (1969) 121 CLR 353, High Court of Australia, P and D had an arrangement of forming a company. The operations of the company would involve the exportation and importation of timber. It was a rule by the Commonwealth that a subsidy to be paid on any timber for which the import duty was paid but not remitted on expor t. The court decided that there was no contract at all since the amount to be paid as subsidy by P and D was not specified. There was no implication that any reasonable subsidy was to be paid since there was no any standard by which subsidy was to be judged. Apply the law to the facts of the question in a detailed and logical manner As n agreement becomes enforceable by law when the two parties intend to be legally bound at the time they are making the agreement, there is a need of carrying out an objective assessment of the circumstances under which the agreement between Peter and Sally, and between Burt and Sally was made. The main question in this case is whether, in the circumstances, a reasonable person would regard the agreement between Sally and Peter and the agreement between Sally and Burt as enforceable contract. There is no sufficient evidence that there was a contract between Sally and Peter. This is because, in the first instance, Sally refused to reply the request of P eter to be sold the bicycle at $4000. Peter had requested for an immediate response. Given that Sally refused to reply immediately and she did so after some days, it therefore follows that there was no contract between Peter and Sally. Sally went ahead and delivered the bicycle to Peter without his consent, and he had

Case Study on Operational Management Essay Example for Free

Case Study on Operational Management Essay Confession: during my dating youth, no matter how much I liked a girl, no matter how much I wanted her and just her exclusively, I’d never tell her that purely for fear of looking weak and pathetic. If we were ever to move beyond the vague, undeclared status that characterizes every relationship in its early phase, well, that would be up to her. Most guys think this way. The problem with this strategy is that sometimes, a guy likes a woman so much that he’d rather not wait for her to initiate The Talk. Or, if you’re like me, you’re over 30 and generally cranky and impatient, so you’d like to know where things stand before too many months of amorphous pseudo-commitment go by. The challenge is to share your feelings in a way that will help you get what you want and won’t make you seem like you’re groveling and/or desperate. Here are some tips to keep in mind. Never just assume you’re exclusive This should seem obvious, but guys can still be presumptuous and make all kinds of embarrassing mistakes. â€Å"I was seeing this girl and I changed my Facebook profile to say ‘In a Relationship,’† admits PJ. â€Å"And she was like, ‘Who are you in a relationship with?’ I was like, ‘You!’ I could tell she wasn’t exactly happy about it.† The lesson: You have to get her to say â€Å"yes† to the idea of dating exclusively before you are in fact dating exclusively. This brings us to our next piece of advice†¦ Browse Local Singles at Match.com on Yahoo! I am a: Seeking a: Near: Make sure there’s a good chance she’ll say yes The conventional wisdom is that women are always ready to have a boyfriend. And maybe that was true during the Eisenhower administration. But in the present day of Facebook and the near limitless possibilities of online dating, it is just as likely a woman wants to have what is euphemistically known as â€Å"having fun.† â€Å"Be really careful if she’s just finished a long-term relationship,† says James, a chef. â€Å"Or if she doesn’t return your phone calls right away. If your calls are going right to voicemail, and she doesn’t call you back for like eight hours, she doesn’t want you to be her boyfriend.† Don’t go overboard The guiding principle in asking a girl to be your girlfriend is to not appear desperate: No matter how good your intentions, you may never recover from it. â€Å"My boyfriend bought me a necklace and literally got on his knees and asked me to be his girlfriend,† says Shelia, a web designer. â€Å"I said ‘yes,’ but it was a little much.† Even less dramatic overtures can still feel over the top. â€Å"I was at dinner with this girl, and I took her hand and said ‘You know I’m not seeing anyone else,’† says Zach, a lawyer. â€Å"I thought we’d have this romantic moment, but she just looked at me like I was crazy.† Bring it up casually Given that overboard gestures might make a woman uncomfortable, consider doing what most men do best anyway: asking in a more laid-back manner. Make sure the venue in which you’re asking is mellow as well — no fancy dinners, no propositions in front of family, and so on. Remember: You want to be in the kind of circumstances where her saying â€Å"no† won’t leave you feeling like a dolt for an extended period of time. â€Å"I think while you’re walking her home or driving her home is good,† says Eric. â€Å"That way you’re not stuck at some restaurant with this giant rejection hanging over you if she says no.† So how should you cough it up? A simple â€Å"Hey, I’ve been wondering whether we should date each other exclusively. What do you think?† should work just fine. It reveals your intentions, and yet leaves the door way open for her to say no thanks, she’s not ready for that yet. Another natural segue is if introductions will soon be in order — say, she’s meeting your friends and you’re wondering if you can say she’s your girlfriend. Or consider my friend Rebecca’s story: for around six weeks, she’d been dating this guy who was on break from grad school. â€Å"Then one weekend he was about to leave to go back to school,† she recalls. â€Å"And right before he left he said, ‘By the way, when I tell my friends about you, can I call you my girlfriend?’ I loved that!† Consider ending the relationship if she says no This is a good idea for two reasons. First, there’s nothing sadder than hanging around a girl who wants you a whole lot less than you want her. Remember high school, when you were in love with the girl who only wanted you as a friend? Well, it’s worse, since you’re getting enough relationship crumbs from the table to keep you involved, but not so few that you’re moving on with your life and trying to meet someone new. Second, by moving to end the relationship, you force her to consider life without you†¦ and she has to decide if that’s doable for her. Women are stereotypically the ones who use this tactic: â€Å"Marry me or I’m out of here;† â€Å"We need to settle down or I need to move on,† etc. And the only time we realize how much we love and need them is when they’re out the door. So learn from women. If you’ve done everything else right — you’ve asked her casually, you’ve made sure all the signs that she likes are there, and she still says no — tell her â€Å"I think you’re great, but I’m interested in something more serious.† You might leave with a heart that heals fairly quickly. Or you might get a call from her within a week or two, asking if when she tells her friends about you, she can call you her boyfriend. Steve Hamilton is a New York City-based freelance writer.